Zero1—The Art & Technology Network

Last Update:
January 21 at 2:03 PM PST

April 2008

Kota Ezawa at ATC

Kota Ezawa will present three new works in Superlight at the San Jose Museum of Art. He will be presenting his work Monday April 7th at The Art, Technology, and Culture Colloquium:

"Since its commercial emergence in the 1930s, animation in the United States was treated as a category of cartoons. Even animation that found its audience outside of the mainstream made use of stereotypical cartoon attributes such as narrativity and caricature. American artists Robert Breer and Lawrence Jordan were exceptions, producing bodies of work that investigate animation as a visual language outside the cartoon tradition. Today, thanks to consumer video and animation software, a growing number of artists in the US and elsewhere are reimagining animation as an art form on par with other contemporary art practices.

Individual Donors

Inspirational

The Morgan Family Foundation

Nancy Mueller and Robert Fox

Bill Campbell

Dream Builder

Andy Cunningham and Rand Siegfried

Arts Advocate

Robert A. and Marion Grimm

Joi Ito

Peter and Beverly Lipman

Carol and Harry Saal

Sustaining

Rita and Kent Norton

Creative

Ron Ricci

Gwendolyn and Gordon Bell

Lester Crown, Susan Crown and James Crown

Dan Fenton

Peter Friess

Noreen and Jim Helvie

Karen Johansen and Gardner C. Hendrie

Janne Abreo and Daniel Keegan

Kim Worsencroft and Dennis McEvoy

Doniece Sandoval

Dorrit and Grant Saviers

Kevin Teixeira

Karen Tucker

Suzanne Nora Johnson

Kim Walesh

Michael Naimark

Beau Takahara

Lynne Waldera

Enrica D'Ettorre and Pierluigi Zappacosta

Judy Armstrong

Lynn Hershman-Leeson

Dina and Neil Jacobson

Gordon Knox

Jan Mark Leeman

Scott Sona Snibbe

Hidden Page Parent

This page should never show up, and all pages below it should also be hidden from the navigation.

Marketing today is often little more than the equivalent of shouting on a street corner.

When you shout, people tune you out. In a culture saturated with messages screamed from every direction, using superlatives such as “best,” “number one,” “superior,” “leading,” “favorite,” “more,” “great,” and so on, it’s no wonder people have evolved highly sensitive and effective BS indicators. That's why we've taken to whispering.

If you're new to 01SJ then you'll probably shrug this posting off. But if you're a repeat Festival fan, then you'll have noticed that our visual brand has changed radically from the inaugural Festival's look-and-feel. The pigeon was laid to rest and a cutting-edge, digerati style embraced. For that we have artist, Shona Kitchen, and leading San Jose-based branding agency, Liquid, to thank.

New Media Arts and The Law

California Lawyers for the Arts Education Program

New Media Arts and The Law

The intersection of art, science, and technology has resulted in a creative boom in contemporary art and an emergent area of the Law.

California Lawyers for the Arts is pleased to present a conversation between Emily A. Berger, Intellectual Property Fellow with Electronic Frontier Foundation, Joel Slayton, Director of the CADRE Laboratory for New Media, and Eric Steuer, Creative Commons Creative Director, exploring the ways copyright laws are implicated in new media art and the challenges artists face in this evolving area of the law and is co-sponsored by Bay Area Glass Institute, Community School of Art and Music, Phantom Galleries, San Jose Institute of Contemporary Arts, and Viet Arts.

Adam Nash : Babelswarm

Second lives … Adam Nash, Christopher Dodds and Justin Clemens, flanked by their virtual life avatars, have created a novel cyberspace exhibition.



Adam Nash (left), whose Ways to Wave will be presented as part of the 01SJ Biennial exhibition Superlight, has collaborated on Babelswarm, an interactive sculpture in the 3D virtual world of Second Life based on the mythical Tower of Babel.

R. Luke DuBois and Michael Joaquin Grey in Yuri's Night Bay Area 2008

R. Luke DuBois will present Fashionably Late for the Relationship in the 01SJ Biennial Superlight exhibition at the San Jose Museum of Art. He will be collaborating with Michael Joaquin Grey for the upcoming Yuri’s Night Bay Area: The Rave for Space at NASA:

The piece will be a "meditation on space with “computational cinema” from Michael Joaquin Grey and R. Luke DuBois ."

Yuri's Night Bay Area 2008:

2PM–2AM Saturday 12 April 2008

NASA Ames Research Center, Moffett Field, CA

via CDM

ZER01 Invites the World To Experience Art on the Edge at 2nd Biennial 01SJ Global Festival

Ice Queen: Glacial Retreat Dress Tent , Installed at Mt. Shasta, CA .

Photograph: 48 inch W x 40 inch H Lightjet print by Robin Lasser + Adrienne Pao, copyright 2008.

via artdaily

bulbo, San Jose: DIY Media Strategies from the Border, Tue. April 15 5PM

bulbo, San Jose: DIY Media Strategies from the Border is in conjunction with the 2nd San José Biennial 01SJ Global Festival of Art on the Edge to be held June 4-8, 2008, is made possible by the Natalie and James Thompson Art Gallery in cooperation with the FUSE:_cadre/montalvo artist research residency initiative, and will feature residency outcomes by members of the bulbo collective.

Artist talk: April 15, from 5 – 6 pm in SJSU's Art Building, Room 133, with reception to follow

bulbo produces collaborative public art projects that explore cultural and artistic issues as they intersect with the day-to-day rhythms of life. Each of bulbo's projects allow people who would normally not pursue an art practice to take part in a creative process in an entertaining and non-prejudicial format. bulbo's perspective on broadcasting has naturally led them to intervene artistically in the growing "do it yourself" area of media broadcast.

CALIFORNIA-based, EMERGING Artist Commissions

It's not too late to participate in the 2nd Biennial 01SJ Global Festival of Art on the Edge (June 4-8, 2008)

http://01SJ.org

Call online at: http://01sj.org/?p=492

With support from the James Irvine Foundation, ZERO1 is seeking to commission the new presentation of two works for the 01SJ Festival by emerging, California-based artists.

The commissions are $5,000 each with $500 for travel and lodging expenses.

The work can be in any media in visual arts, performing arts, moving image, and interactive arts.

SJMA Show -- Robots: Evolution of a Cultural Icon

Robots: Evolution of a Cultural Icon is showing at the San Jose Museum of Art now through Oct. 19. This exhibit is curated in conjunction with the 2nd San Jose Biennial 01SJ Global Festival of Art on the Edge to be held June 4-8, 2008 and the 01SJ Biennial exhibition Superlight, also at the San Jose Museum of Art:

" It is this fascination with the imagery of machines working for and against man that drives "Robots: Evolution of a Cultural Icon," a new exhibit at the San Jose Museum of Art. Sprawling across most of the museum's second floor, the installation deals with a wide range of human reaction to artificial life, from the dark to the whimsical."

Where: San Jose Museum of Art, 110 S. Market St.

When: 11 a.m.-5 p.m. Tuesdays-Sundays

Through: Oct. 19

Admission: $8 adults, $5 seniors and students, $2 off with San Jose Library card, free for museum members and children under 6.

We-C

"Do you see us as we really are?" 

We-C

a collaboration

Developed and Directed by Dorit Cypis

Project Management, Carli Leimbach

Project Development and Teaching, Zachary Watkins, Angela Carroll and Carli Leimbach

Play and Creative Expression, the young adults of Bill Wilson Center, San Jose, CA.

Sponsored by Zero1, Cisco Systems and the Bill Wilson Center

Joyce Hinterding Taps into a Sea of Energy

Artist Joyce Hinterding’s Black Canyon and Earth Field , in collaboration with David Haines, will be presented at the 2nd Biennial 01SJ Global Festival of Art on the Edge. For the Superlight exhibition at the festival, Haines and Hinterding will install a new work, consisting of rows of tables with patterns of graphite that act as antennas. Electromagnetic information in the environment is picked up by these unusual antennae and transmitted through an audio interface, while a filmic sequence projects onto the far wall, relaying a failed oil mining ghost town in the Australian outback.